@article {RN39, title = {A Closer Look at Visual Manuals}, journal = {Journal of Technical Writing and Communication}, volume = {26}, number = {4}, year = {1996}, pages = {371-383}, doi = {10.2190/C9UX-2KDT-J928-P17H}, author = {Meij, Hans Van Der} } @inbook {RN243, title = {A Genre Map of R\&D Knowledge Production for the U.S. Department of Defense}, booktitle = {Genre and the New Rhetoric}, year = {1994}, pages = {133{\textendash}145}, publisher = {Taylor and Francis}, organization = {Taylor and Francis}, chapter = {8}, address = {London}, author = {Van Nostrand, A. D.}, editor = {Freedman, Aviva and Medway, Peter} } @book {RN242, title = {Fundable Knowledge: The Marketing of Defense Technology}, year = {1997}, publisher = {Lawrence Erlbaum Associates}, organization = {Lawrence Erlbaum Associates}, address = {Mahwah, NJ}, author = {Van Nostrand, A. D.} } @article {1279, title = {Additional Communication Channels in Dutch Television Genres}, journal = {New Media and Society}, volume = {9}, year = {2007}, pages = {651-659}, chapter = {651}, abstract = {

This study examined the way in which television genres in the
Netherlands make use of additional communication channels in
terms of interactivity and genre modification and whether the
availability of additional communication channels in genres
corresponds to audience age. Expert interviews were held with
representatives of Dutch broadcasting organizations and a
secondary analysis of Audience Research data was conducted. It
was found that compared to other genres, short message service
(SMS) is added most frequently to reality programmes, email and
websites to the information genre, teletext to sports programmes
and merchandizing to children\’s programmes. In addition, it was
found that only SMS is added more often to programmes
attracting a younger audience.The extent to which the additional
communication channels represented real innovation varied from
maintenance to the elaboration and modification of genres.

}, author = {Van Selm, Martine and Peeters, Allerd} } @article {991, title = {Review: Animated Categories: Genre, Action, and Composition}, journal = {College English}, volume = {67}, year = {2005}, note = {+ pdf}, month = {2005}, pages = {532{\textendash}545}, keywords = {Bawarshi, Coe, Devitt}, author = {Vandenberg, Peter} } @article {992, title = {Seeing and Listening: A Visual and Social Analysis of Optometric Record-Keeping Practices}, journal = {Journal of Business and Technical Communication}, volume = {21}, year = {2007}, note = {+ pdf+ j }, month = {2007}, pages = {343{\textendash}375}, keywords = {genre, health care, medical case presentation, patient record, visual rhetoric}, author = {Varpio, Lara and Spafford, Marlee M and Schryer, Catherine F. and Lingard, Lorelei} } @article {RN182, title = {Seeing and Listening: A Visual and Social Analysis of Optometric Record-Keeping Practices}, journal = {Journal of Business and Technical Communication}, volume = {21}, number = {4}, year = {2007}, pages = {343-375}, author = {Varpio, Lara and Spafford, Marlee M. and Schryer, Catherine F. and Lingard, Lorelei} } @article {993, title = {The Myth of the Rhetorical Situation}, journal = {Philosophy and Rhetoric}, volume = {6}, year = {1973}, note = {+}, month = {1973}, pages = {154{\textendash}161}, keywords = {genre, situation}, author = {Vatz, Richard} } @article {994, title = {The Role of Genre in Shaping Our Understanding of Digital Documents}, journal = {Proceedings of the ASIS Annual Meeting}, volume = {35}, year = {1998}, note = {Times Cited: 1149BM PROC ASIS ANNU MEET }, month = {1998}, pages = {559{\textendash}566}, abstract = {Interacting with documents in the digital domain is challenging many of our notions about discourse and its boundaries. Hyperlinked documents on the World Wide Web defy easy categorization and evaluation - making the role and value of digital documents difficult to assess. Most importantly, in such fluid and complex environments it is difficult to understand the nature of the interaction between users and information resources. This paper argues that notions such as navigation are limiting our understanding of these complex information spaces. Instead, what is needed is a broader framework of analysis that can embrace these concepts, and incorporate extended issues relating to shared understanding, relevance, and style. In the present paper we explore the utility of the intersection of genre theory and cognitive psychology in providing a meaningful framework for analysis and design purposes. In so doing we report the results of our latest research into the elements of genre that influence users of digital documents and provide examples of the usefulness of this analysis in web-based environments.}, keywords = {digital, genre, navigation, story}, url = {://000077585300054}, author = {Vaughan, Misha W. and Dillon, Andrew} } @article {995, title = {Why Structure and Genre Matter for Users of Digital Information: A Longitudinal Experiment with Readers of a Web-Based Newspaper}, journal = {International Journal of Human-Computer Studies}, volume = {64}, year = {2006}, note = {+ pdf rhet}, month = {2006}, pages = {502{\textendash}526}, keywords = {digital, experiment, genre, structure, usability, web design}, author = {Vaughan, Misha W. and Dillon, Andrew} } @book {1286, title = {Film Remakes}, year = {2005}, publisher = {Palgrave Macmillan}, organization = {Palgrave Macmillan}, address = {New York, NY, USA}, author = {Verevis, Constantine} } @article {996, title = {Style, Rhetoric, and Postmodern Culture}, journal = {Philosophy and Rhetoric}, volume = {35}, year = {2002}, note = {+ pdf rhet}, month = {2002}, pages = {223{\textendash}243}, keywords = {aesthetic, agency, communitarian, democratic, genre, Hariman, Maffesoli, rhetoric, self, sociopolitical, style}, author = {Vivian, Bradford} } @article {997, title = {The Art of Invective: Performing Identity in Cyberspace}, journal = {New Media \& Society}, volume = {4}, year = {2002}, note = {+ pdf rhet}, month = {2002}, pages = {51{\textendash}70}, abstract = {This article examines the common computer-mediated communication (CMC) phenomenon of {\textquoteright}flaming{\textquoteright} from a rhetorical perspective, situating the phenomenon diachronically in the histories of invective in art and society. An examination of the notorious alt.flame newsgroup draws connections between the political and sexual content of the flames and the rants and dozens genres of invective. The article concludes with an argument against the still prevalent media-determinant view that holds that flaming is somehow caused by the medium of CMC itself. Given the strategic nature of the different kinds of flames, it makes more sense to view them as performative enactments of identity which stress either group or individual identity depending on the genre of invective utilized by the flamer. This article demonstrates that the more historical approach offered by rhetorical criticism gives a vital perspective to an area of study from which rhetorical critics have for too long been absent.}, keywords = {CMC, computer-mediated communication, cuelessness, digital, emotion, flaming; genre; identity; invective; performance; the dozens; rant;, medium}, url = {://000174505000003}, author = {Vrooman, Steven S.} } @article {1283, title = {The Art of Invective: Performing Identity in Cyberspace}, journal = {New Media \& Society}, volume = {4}, year = {2002}, pages = {51-70}, abstract = {

This article examines the common computer-mediated communication (CMC) phenomenon of \‘flaming\’ from a rhetorical perspective, situating the phenomenon diachronically in the histories of invective in art and society. An examination of the notorious alt.flame newsgroup draws connections between the political and sexual content of the flames and the rants and dozens genres of invective. The article concludes with an argument against the still prevalent media-determinant view that holds that flaming is somehow caused by the medium of CMC itself. Given the strategic nature of the different kinds of flames, it makes more sense to view them as performative enactments of identity which stress either group or individual identity depending on the genre
of invective utilized by the flamer. This article demonstrates that the more historical approach offered by rhetorical criticism gives a vital perspective to an area of study from which rhetorical critics have for too long been absent.

}, author = {Steven S. Vrooman} }