@article {716,
	title = {Circulation of the Late Elizabethan and Early Stuart Epigram},
	journal = {Renaissance and Reformation/Renaissance et R{\'e}forme},
	volume = {29},
	year = {2005},
	note = {Accession Number: 2007460168. Gloss: French summary. Peer Reviewed: Yes. Publication Type: journal article. Language: English. Update Code: 200701. Sequence No: 2007-1-1504.},
	month = {2005},
	pages = {59-73},
	keywords = {1500-1699, English literature, epigram, genre study, poetry, sources in Martialis (40-103)},
	isbn = {0034-429X},
	author = {Doelman, James}
}
@article {738,
	title = {The Poetic Nocturne: From Ancient Motif to Renaissance Genre},
	journal = {Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature},
	volume = {3},
	year = {1997},
	note = {Accession Number: 1999059400. Gloss: Electronic publication. Peer Reviewed: Yes. Publication Type: journal article. Language: English. Update Code: 199901. Sequence No: 1999-1-1234.},
	month = {1997},
	keywords = {1500-1699, English literature, genre study, nocturne, poetry, Renaissance},
	isbn = {1201-2459},
	url = {http://purl.oclc.org/emls/03-2/fittnoct.html},
	author = {Fitter, Chris}
}
@article {1188,
	title = {Riding Off into the Sunrise: Genre Contingency and the Origin of the Chinese Western},
	journal = {PMLA},
	volume = {122},
	year = {2007},
	month = {October 2007},
	pages = {1482-98},
	chapter = {1482},
	abstract = {<p>The paradoxical dependence of genre histories on historically accidental acts of naming and on transcendental critical imagination is demonstrated by the Chinese western, a little-understood genre that has become a major part of Chinese-language cinema over the past two decades. After the genre was proposed in 1984 by the Chinese film theorist Zhong Dianfei, as a realist reaction against the ideological excesses of the Cultural Revolution, its ambiguous status as a Hollywood import quickly became a proxy for larger cultural battles over China\&$\#$39;s place in an American-dominated international cultural system. Moreover, despite assurances by Zhong and other critics that the genre was not susceptible to Hollywood influence, the production history of the genre from the late 1980s to the present demonstrates a pattern of generic influence and eventual fusion that tracks Chinese state-owned studios\&$\#$39; evolution from subsidized propaganda organs to participants in a globalized entertainment industry.</p>
},
	keywords = {american western film, china, dramatic arts, film, genre study, nationalism, western china},
	issn = {0030-8129},
	doi = {10.1632/pmla.2007.122.5.1482},
	author = {Daniel Fried}
}
@article {976,
	title = {Genres and Text Types in Medieval and Renaissance English},
	journal = {Poetica: An International Journal of Linguistic-Literary Studies},
	volume = {47},
	year = {1997},
	note = {1998-3-5158.},
	month = {1997},
	pages = {49-62},
	keywords = {1100-1699, English language (Middle), English literature, genre, genre study, relationship to text typology, stylistics},
	isbn = {0287-1629},
	author = {Taavitsainen, Irma}
}
