@article {791,
	title = {Weblogs as a Bridging Genre},
	journal = {Information, Technology \& People},
	volume = {18},
	year = {2005},
	note = {+ pdf rhetsame as Herring et al 2004
},
	month = {2005},
	pages = {142{\textendash}171},
	keywords = {antecedents, blog, content analysis, corpus, genre, genre ecology, hybrid, impact, linguistics, new genre, technology},
	author = {Herring, Susan C. and Scheidt, Lois Ann and Bonus, Sabrina and Wright, Elijah}
}
@book {879,
	title = {Letters, Postcards, Email: Technologies of Presence},
	year = {2010},
	month = {2010},
	publisher = {Routledge},
	organization = {Routledge},
	address = {New York},
	keywords = {email, genre, letter, postcard, presence, skeuomorph, technology},
	author = {Milne, Esther}
}
@article {965,
	title = {The Website as a Domain-Specific Genre},
	journal = {Language@Internet},
	volume = {3},
	year = {2006},
	month = {2006},
	pages = {http://www.languageatinternet.de/articles/2006},
	abstract = {The paper takes an initial look at how the medial conditions of the screen and the Internet define newconstraints for language and style of company websites. The paper first discusses how the impact of bad
grammar is enhanced by the salience and universal visibility on the screen. The main part of the paper argues
that the language of company websites often represents fossilized rhetorical structures as a paper text hangover
from the medial conditions of reading written texts and views this residue as an evolutionary stage of the
evolution towards a medially appropriate style.
},
	keywords = {digital, genre, internet, medium, new genre, technology, website},
	url = {http://www.languageatinternet.de/articles/2006},
	author = {Stein, Dieter}
}
@article {975,
	title = {Coherent Fragments: The Problem of Mobility and Genred Information},
	journal = {Written Communication},
	volume = {23},
	year = {2006},
	note = {+ pdf},
	month = {2006},
	pages = {173{\textendash}201},
	abstract = {Genres embody typified discursive activity that is situated in an ecology oftexts, people, and tools. Within these settings, genres help writers compose
recognizable information artifacts. Increasingly, however, many professions
are becoming mobile, and mobile technologies (e.g., personal digital assistants
[PDAs]) are creating problems of translation as writers attempt to make genres
work across contexts. Mobile devices uproot genres from their native contexts,
undercutting their ability to mediate discursive activity. The semantically
reduced design of PDA-accessible information magnifies these problems by
obscuring, but not erasing, genre characteristics that tie information to its
native context. Readers must assume the burden of composing meaningful
information artifacts,work otherwise offloaded to genres. The author explores
the nature of this composition burden in a case study of veterinary students. He
finds that context and the degree of mobility both influence student perception
of this composition burden.
},
	keywords = {genre, medical writing, mobile, PDA, place, technology},
	author = {Swarts, Jason}
}
@article {1012,
	title = {The Emergence of the Memo as a Managerial Genre},
	journal = {Management Communication Quarterly},
	volume = {2},
	year = {1989},
	note = {+ pdf},
	month = {1989},
	abstract = {This article traces the historical evolution of the memorandum as a genre of written communicationin American business during the late nineteenth and early twentieth centuries. It draws
on published and unpublished materials from the period, including archival materials
from E. I. du Pont de Nemours and Company and Scovill Manufacturing Company. The
historical analysis shows that the memo developed from the letter, not for reasons related to
rhetorical theory, but as a practical response to two sets of developments: (I) the emergence
of new managerial theory and techniques, and (2) innovations in the technology of written
communication. The study also reveals a significant lag between the actual emergence of the
genre and its recognition in instructional materials in communication.
},
	keywords = {evolution, genre, memo, technology},
	author = {Yates, JoAnne}
}
@article {1014,
	title = {Genre systems: Structuring interaction through communicative norms},
	journal = {Journal of Business Communication},
	volume = {39},
	year = {2002},
	note = {+ pdf rhet},
	month = {2002},
	pages = {13{\textendash}35},
	abstract = {In this paper we demonstrate that teams may use genre systems{\textemdash}sequences of interrelated communicative actions_deliberately or habitually, to structure their collaboration.  Using data over a seven-month period from three teams{\textquoteright} use of a collaborative electronic technology, Team Room, we illustrate that genre systems are a means of structuring six dimensions of communicative interaction: purpose (why), content (what), participants (who/m), form (how), time (when), and place (where).  We suggest that researchers and users may benefit from explicitly recognizing the role genre systems can play in collaboration and from examining changes in these six dimensions accompanying changes in electronic technology.},
	keywords = {collaboration, digital media, genre, system, team, technology},
	author = {Yates, JoAnne and Orlikowski, Wanda}
}
@article {1021,
	title = {Interactive Fiction: A New Literary Genre?},
	journal = {New Literary History},
	volume = {20},
	year = {1989},
	note = {+ pdf},
	month = {1989},
	pages = {341{\textendash}372},
	keywords = {author, fiction, form, genre, interaction, literature, medium, reader, sofware, technology},
	author = {Ziegfield, Richard}
}
