@article {602, title = {Digital Genres: A Challenge to Traditional Genre Theory}, journal = {Information, Technology \& People}, volume = {18}, year = {2005}, note = {+ pdf}, month = {2005}, pages = {120{\textendash}141}, keywords = {digital, genre, internet, media, medium, print, Swales}, author = {Askehave, Inger and Nielsen, Anne Ellerup} } @inbook {608, title = {Discourse in the Novel}, booktitle = {The Dialogic Imagination: Four Essays}, year = {1981}, note = {+ b}, month = {1981}, pages = {259{\textendash}422}, publisher = {University of Texas Press}, organization = {University of Texas Press}, address = {Austin, TX}, keywords = {centripetal, genre, heteroglossia, ideology}, author = {Bakhtin, M. M.}, editor = {Holquist, Michael and Holquist, Michael} } @article {RN187, title = {Discourse Methods and Critical Practice in Professional Communication: The Front-Stage and Back-Stage Discourse of Prognosis in Medicine}, journal = {Journal of Business and Technical Communication}, volume = {18}, number = {1}, year = {2004}, pages = {67-111}, author = {Barton, Ellen} } @article {1166, title = {Discourse community}, journal = {ELT Journal}, volume = {57}, year = {2003}, month = {Jan-10-2003}, pages = {398 - 400}, issn = {0951-0893}, doi = {10.1093/elt/57.4.398}, url = {http://eltj.oupjournals.org/cgi/doi/10.1093/elt/57.4.398}, author = {Borg, E.} } @book {666, title = {Deeds Done in Words: Presidential Rhetoric and the Genres of Governance}, year = {1990}, note = {+}, month = {1990}, publisher = {University of Chicago Press}, organization = {University of Chicago Press}, address = {Chicago}, keywords = {farewell, genre, impeachment, inaugural, institution, president, state of the union, veto, war}, isbn = {0-226-09341-0}, author = {Campbell, Karlyn Kohrs and Jamieson, Kathleen Hall} } @article {685, title = {Do Postmodern Genres Exist?}, journal = {Genre}, volume = {20}, year = {1987}, note = {+ genre literature}, month = {1987}, pages = {241{\textendash}257}, keywords = {Barthes, biological metaphor, blurred genre, essay, family, Geertz, genre, genre system, intertextuality, Jameson, mixture}, author = {Cohen, Ralph} } @article {1274, title = {Doing Dialogue: Genre and Flexibility in Public Engagement with Science}, journal = {Science as Culture}, volume = {18}, year = {2010}, pages = {397-416}, chapter = {397}, abstract = {

\‘Public engagement with science\’ is an increasingly important but contested practice. In this study of London\&$\#$39;s Dana Centre I look at dialogue events carried out there as a case study of public engagement, performing a detailed analysis in order to examine their nature and practice. The analysis suggests that event framings (as found in the discourse of events) are multiple, varying from lecture to open debate. Furthermore the genre of events is flexible, with participant involvement organised through the use of genres derived from education, talkshows and news interviewing as well as more traditional genres such as lectures. While it seems there is flexibility in the practice of these informal dialogue events, they are, however, not open to reinvention by all participants equally. The fluidity of practice observed may be due to the newness of these kinds of processes in most people\&$\#$39;s experiences. We are therefore observing, on the ground, the traces of contrasting discourses of the right relationship between science and society.

}, keywords = {science}, author = {Davies, S R} } @article {RN112, title = {Demarcating Medicine{\textquoteright}s Boundaries: Constituting and Categorizing in the Journals of the American Medical Association}, journal = {Technical Communication Quarterly}, volume = {21}, number = {3}, year = {2012}, pages = {210-229}, doi = {10.1080/10572252.2012.663744}, url = {http://www.tandfonline.com/doi/abs/10.1080/10572252.2012.663744}, author = {Derkatch, Colleen} } @article {1044, title = {A discursive approach to genre: Mobi news}, journal = {European Journal of Communication}, volume = {24}, year = {2009}, pages = {147-164}, author = {Erjavec, K. and Kovacic, M. P.} } @book {1043, title = {Discourse Analysis}, year = {2003}, publisher = {Routledge}, organization = {Routledge}, address = {London}, author = {Fairclough, N.} } @book {731, title = {Discourse and Social Change}, year = {1992}, note = {genres "correspond closely to types of social practice" (125)Bakhtinian view of genre (125) genre is "a relatively stable set of conventions that is associated with, and partly enacts, a socially ratified type of activity. . . . A genre implies not only a particular text type, but also particular processes of producing, distributing and consuming texts" (126) }, month = {1992}, publisher = {Polity Press}, organization = {Polity Press}, address = {Cambridge}, keywords = {Bakhtin, discourse analysis, Foucault, genre, intertextuality}, author = {Fairclough, Norman} } @article {740, title = {Database as Genre: The Epic Transformation of Archives}, journal = {Publications of the Modern Language Association}, volume = {122}, year = {2007}, note = {+ j+ pdf }, month = {2007}, pages = {1571{\textendash}1579}, keywords = {archive, database, genre, Manovich, narrative, new genre, rhizome, Whitman}, author = {Folsom, Ed} } @article {757, title = {Discourse Genres}, journal = {Journal of Literary Semantics}, volume = {9}, year = {1980}, note = {QJS}, month = {1980}, pages = {73{\textendash}81}, keywords = {genre}, author = {Frow, John} } @inbook {761, title = {Displaying Race: Cultural Projection and Commemoration}, booktitle = {Rhetorics of Display}, year = {2006}, note = {+ book}, month = {2006}, pages = {177{\textendash}196}, publisher = {University of South Carolina Press}, organization = {University of South Carolina Press}, address = {Columbia, SC}, keywords = {cultural projection, genre, memorial, race}, author = {Gallagher, Victoria J.}, editor = {Prelli, Lawrence J.} } @inbook {770, title = {Death of a Genre}, booktitle = {What Was History? The Art of History in Early Modern Europe}, year = {2007}, month = {2007}, pages = {189{\textendash}254}, publisher = {Cambridge University Press}, organization = {Cambridge University Press}, address = {Cambridge}, keywords = {genre, history}, author = {Grafton, Anthony} } @inbook {778, title = {Doing Public Business in Public}, booktitle = {Form and Genre: Shaping Rhetorical Action}, year = {1978}, note = {+}, month = {1978}, pages = {118{\textendash}138}, publisher = {Speech Communication Association}, organization = {Speech Communication Association}, address = {Falls Church, VA}, keywords = {genre}, author = {Halloran, Michael}, editor = {Campbell, Karlyn Kohrs and Jamieson, Kathleen Hall} } @article {779, title = {Discourse Genres in a Theory of Practice}, journal = {American Ethnologist}, volume = {14}, year = {1987}, note = {+ genre+ pdf rhet }, month = {1987}, pages = {668{\textendash}692}, keywords = {Bakhtin, Bourdieu, change, habitus, hybrid, innovation, Maya, new genre, Spanish}, author = {Hanks, William F.} } @article {786, title = {Defining the Genre of the Letter: Juan Luis Vives{\textquoteright} De conscribendis epistolis}, journal = {Renaissance and Reformation}, volume = {7}, year = {1983}, note = {cited in Streuver Theory as Practice, found on google search for rhetorica utens/docens}, month = {1983}, pages = {89{\textendash}105}, keywords = {genre, letter}, author = {Henderson, J.} } @inbook {826, title = {Disembodied Voices: The Problem of Context and Form in Theories of Genre}, booktitle = {The Rhetoric and Ideology of Genre: Strategies for Stability and for Change}, year = {2002}, note = {+ genre (manuscript)}, month = {2002}, pages = {275{\textendash}296}, publisher = {Hampton Press}, organization = {Hampton Press}, address = {Cresskill, NJ}, keywords = {Burke, genre, Martin, Miller}, author = {Knapp, Peter}, editor = {Coe, Richard and Lingard, Lorelei and Teslenko, Tatiana} } @article {829, title = {The Discourse of Issues Management: A Genre of Organizational Communication}, journal = {Communication Quarterly}, volume = {45}, year = {1997}, note = {Turnage 798 paper S 08}, month = {1997}, pages = {188{\textendash}210}, keywords = {genre, organization, workplace}, author = {Kuhn, T.} } @article {1711, title = {Discourse trajectories in a nexus of genres}, journal = {Journal of Discourse Studies}, volume = {18}, pages = {409-429}, author = {Inger Lassen} } @article {849, title = {Disciplinary Politics and the Institutionalization of the Generic Triad in Classical Rhetoric}, journal = {College English}, volume = {57}, year = {1995}, note = {+ au}, month = {1995}, pages = {9{\textendash}26}, keywords = {Aristotle, Cicero, genre}, author = {Liu, Yameng} } @article {RN208, title = {A Dialogical Model for Business Correspondence}, journal = {Journal of Business and Technical Communication}, volume = {7}, number = {3}, year = {1993}, pages = {283-311}, author = {Mendelson, Michael} } @inbook {1420, title = {Discourse Genres}, booktitle = {Verbal Communication}, series = {Handbooks of Communication Science}, year = {2016}, pages = {269{\textendash}286}, publisher = {De Gruyter}, organization = {De Gruyter}, address = {Berlin}, abstract = {

Genre marks large-scale repeated patterns of meaning in human symbolic production and interaction. Approaches to genre can be divided into the formalistthematic, attending to categories and discriminations based on linguistic or textual elements and drawing from cognitive theories; and the pragmatic, attending primarily to use-patterns drawing from social theories of function, action, and communal interaction. This overview draws from disciplines explicitly concerned with natural language, including literature, rhetoric, and several areas of linguistics. A distinction between rational and empirical approaches to genre affects both how genre is conceived and what methods are used for analysis. The rational approach grounds genre in a principle or theory determined by the theorist, yielding a relatively small, closed set of genres; the empirical grounds genre in the experience of those for whom genres are significant, yielding an historically changing, open set of genres. Genre analysis is applied in many discourse disciplines and for a variety of purposes, both descriptive and prescriptive.

}, keywords = {exigence, formalism, genre awareness, genre system, macrostructure, move analysis, rhetoric, social action, Text type, uptake, utterance}, isbn = {9783110255478}, doi = {10.1515/9783110255478-015}, url = {http://www.degruyter.com/view/books/9783110255478/9783110255478-015/9783110255478-015.xml}, author = {Miller, Carolyn R. and Kelly, Ashley R.}, editor = {A. Rocci and L. de Saussure} } @article {875, title = {Discourse Classifications in Nineteenth-Century Rhetorical Pedagogy}, journal = {Southern Speech Communication Journal}, volume = {51}, year = {1986}, note = {+}, month = {1986}, pages = {371{\textendash}384}, keywords = {composition, genre, pedagogy}, author = {Miller, Carolyn R. and Jolliffe, David A.} } @article {1307, title = {Discourse, History, Fiction: Language and Aboriginal History}, journal = { Australian Journal of Cultural Studies}, volume = {1}, year = {1983}, month = {01/1983}, pages = {71-79}, chapter = {71}, keywords = {cultural studies, genre, historical genres}, author = {Muecke, Stephen} } @article {RN25, title = {The DoD Tailhook Report: Unanswered Questions}, journal = {Journal of Technical Writing and Communication}, volume = {25}, number = {2}, year = {1995}, pages = {201-213}, doi = {10.2190/M8E6-0E0C-7VYB-BA51}, author = {Orbel, Brenda} } @article {RN157, title = {.., Is Different From ,.. : A Corpus-Based Study of Evaluative Adjectives in Economics Discourse}, journal = {IEEE Transactions on Professional Communication}, volume = {49}, number = {3}, year = {2006}, pages = {236-245}, doi = {10.1109/TPC.2006.880741}, url = {http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=1684205}, author = {Samson, C.} } @article {RN54, title = {Does Being Technical Matter? XML, Single Source, and Technical Communication}, journal = {Journal of Technical Writing and Communication}, volume = {32}, number = {2}, year = {2002}, pages = {155-170}, doi = {10.2190/PCK7-MX24-X113-V9DC}, author = {Sapienza, Filipp} } @article {1227, title = {Dismantling the guitar hero? A case of prodused parody and disarmed subversion}, journal = {Convergence: The International Journal of Research into New Media Technologies}, volume = {19}, year = {2013}, month = {02/2013}, pages = {63-76}, abstract = {

A \‘shreds\’ video combines existing live music concert footage, predominantly including a famous
male rock guitarist or guitar based rock group, with a self-produced overdubbed soundtrack. The
result is a musical parody that exists in an intersection between production and consumption and
works as a within-genre evolution. The shred is controversial and its most popular instalments
have been pulled from YouTube on claims of copyright infringement. This paper examines shreds
as a form of multimodal intertextual critique by engaging with the videos themselves, as well as
audience responses to them. As such, the applied method is genre analysis and multimodal semiotics
geared towards the analysis of intertextual elements. The paper shows how prodused parody
exists as a co-dependence between: (1) production and consumption; (2) homage and subversion;
(3) comprehension and miscomprehension; and (4) media synchronicity and socioeconomic dis/
harmony. The paper also discusses how shreds can be interpreted as tampered-with gender
performances. In conclusion, it becomes clear that the produsage of shred videos is part of \‘piracy
culture\’ because it so carefully balances between the mainstream and counter-culture, between
the legal and the illegal, and between the commoditized artefact and networked production.

}, keywords = {Audiences, critical intertextuality, genre analysis, parody, produsage, shreds, YouTube, [gender]}, doi = {10.1177/1354856512456791 }, author = {Skageby, Jorgen} } @article {1282, title = {Dismantling the Guitar Hero? A Case of Prodused Parody and Disarmed Subversion}, journal = {Convergence: The International Journal of Research into New Media Technologies}, volume = {19}, year = {2012}, pages = {63-76}, abstract = {

A \‘shreds\’ video combines existing live music concert footage, predominantly including a famous male rock guitarist or guitar based rock group, with a self-produced overdubbed soundtrack. The result is a musical parody that exists in an intersection between production and consumption and works as a within-genre evolution. The shred is controversial and its most popular instalments have been pulled from YouTube on claims of copyright infringement. This paper examines shreds as a form of multimodal intertextual critique by engaging with the videos themselves, as well as audience responses to them. As such, the applied method is genre analysis and multimodal semiotics geared towards the analysis of intertextual elements. The paper shows how prodused parody exists as a co-dependence between: (1) production and consumption; (2) homage and subversion; (3) comprehension and miscomprehension; and (4) media synchronicity and socioeconomic dis/harmony. The paper also discusses how shreds can be interpreted as tampered-with gender performances. In conclusion, it becomes clear that the produsage of shred videos is part of \‘piracy culture\’ because it so carefully balances between the mainstream and counter-culture, between the legal and the illegal, and between the commoditized artefact and networked production.

}, author = {J{\"o}rgen Sk{\r a}geby} } @inbook {RN276, title = {Developing a {\textquoteright}Discursive Gaze{\textquoteright}{\textquoteright}: Participatory Action Research with Student Interns Encountering New Genres in the Activity of the Workplace}, booktitle = {Rhetorical Genre Studies and Beyond}, year = {2008}, pages = {241{\textendash}279}, publisher = {Inkshed}, organization = {Inkshed}, address = {Winnipeg, Manitoba}, url = {http://http-server.carleton.ca/~nartemev/Artemeva\%20\&\%20Freedman\%20Rhetorical\%20Genre\%20Studies\%20and\%20beyond.pdf}, author = {Smart, Graham and Brown, Nicole}, editor = {Artemeva, Natasha and Freedman, Aviva} } @article {1783, title = {Do We Need New Method Names? Descriptions of Method in Scholarship on Canadian Literature}, journal = {ESC: English Studies in Canada}, volume = {44}, year = {2017}, pages = {91 - 110}, abstract = {

Literary studies are often seen as a discipline without method. Research articles in literature do not have method sections, nor do they list what type of evidence has been included in a particular project or by what procedures primary material was analyzed. Because of implicitness of questions of method and research design, writing in literary studies is difficult to teach and often relies on students{\textquoteright} abilities to infer their own strategies for reading and writing. I analyze a textual corpus of recent research articles from Canadian Literature and Studies in Canadian Literature in order to clarify typical discursive patterns that are used when discussing methods of literary scholarship. On the basis of these findings, we can ask: How can teaching in literary studies be adjusted in order to demystify the methodological practices of the discipline?

}, issn = {1913-4835}, doi = {10.1353/esc.2017.0049}, url = {https://muse.jhu.edu/article/742449}, author = {Thieme, Katja} } @conference {986, title = {Does Genre Define the Shape of Information? The Role of Form and Function in User Interaction with Digital Documents}, booktitle = {62nd ASIS Annual Meeting: Knowledge Creation, Organization, and Use}, year = {1999}, note = {+ pdf}, month = {1999}, pages = {693{\textendash}704}, publisher = {American Society for Information Science}, organization = {American Society for Information Science}, address = {Washington, DC}, keywords = {digital document, discourse community, form, genre, shape}, author = {Toms, Elaine G. and Campbell, D. Grant and Blades, Ruth} } @article {1005, title = {The Diatribe: Last Resort for Protest}, journal = {Quarterly Journal of Speech}, volume = {58}, year = {1972}, note = {QJS}, month = {1972}, pages = {1{\textendash}14}, keywords = {genre}, author = {Windt, Theodore Otto, Jr.} } @conference {1018, title = {Digital Genres and the New Burden of Fixity}, booktitle = {Thirtieth Annual Hawaii Conference on System Sciences}, year = {1997}, note = {+ pdf 702}, month = {1997}, pages = {3{\textendash}12}, publisher = {IEEE Computer Society Press}, organization = {IEEE Computer Society Press}, keywords = {change, CMC, community, corpus, evolution, genre, stability}, author = {Yates, Simeon J. and Sumner, Tamara R.} } @article {1022, title = {The Development of a Virtual Community of Practices Using Electronic Mail and Communicative Genres}, journal = {Journal of Business and Technical Communication}, volume = {17}, year = {2003}, note = {+ j}, month = {2003}, pages = {259{\textendash}284}, keywords = {community, email, genre, repertoire, Suchman, Yates}, author = {Zucchermaglio, Cristina and Talamo, Alessndra} } @article {RN171, title = {The Development of a Virtual Community of Practices Using Electronic Mail and Communicative Genres}, journal = {Journal of Business and Technical Communication}, volume = {17}, number = {3}, year = {2003}, pages = {259-284}, author = {Zucchermaglio, Cristina and Talamo, Alessandra} }