@inbook {1336, title = {Not Another Adult Movie: Some Platitudes on Genericity and the Use of Literary Studies}, booktitle = {Why Study Literature}, year = {2011}, publisher = {Aarhus University Press}, organization = {Aarhus University Press}, address = {Aarhus}, author = {Sune Auken} } @inbook {640, title = {News Value in Scientific Journal Articles}, booktitle = {Genre Knowledge in Disciplinary Communication: Cognition/Culture/Power}, year = {1995}, note = {+ b}, month = {1995}, pages = {27{\textendash}44}, publisher = {Lawrence Erlbaum Associates}, organization = {Lawrence Erlbaum Associates}, address = {Hillsdale, NJ}, keywords = {evolution, genre, news, reading, science}, author = {Berkenkotter, Carol and Huckin, Thomas N.} } @article {RN263, title = {New Perspectives on the Technical Communication Internship: Professionalism in the Workplace}, journal = {Journal of Technical Writing \& Communication}, volume = {44}, number = {2}, year = {2014}, pages = {171{\textendash}189}, issn = {00472816}, doi = {10.2190/TW.44.2.d}, url = {http://proxying.lib.ncsu.edu/index.php?url=http://search.ebscohost.com/login.aspx?direct=true\&db=cms\&AN=96965214\&site=ehost-live\&scope=site}, author = {Bourelle, Tiffany} } @book {1261, title = {The Norton Field Guide to Writing}, year = {2013}, pages = {616}, publisher = {W.W. Norton \& Co.}, organization = {W.W. Norton \& Co.}, edition = {third}, address = {New York}, abstract = {

From the publisher\&$\#$39;s website:

\"Flexible, easy to use, just enough detail\—and now the number-one best seller.

With just enough detail \— and color-coded links that send students to more detail if they need it \— this is the rhetoric that tells students what they need to know and resists the temptation to tell them everything there is to know. Designed for easy reference \— with menus, directories, and a combined glossary/index. The Third Edition has new chapters on academic writing, choosing genres, writing online, and choosing media, as well as new attention to multimodal writing.

The Norton Field Guide to Writing is available with a handbook, an anthology, or both \— and all versions are now available as low-cost ebooks and in mobile-compatible formats for iPhones, Droids, and iPads.\"

}, author = {Richard Bullock} } @article {RN47, title = {The Nature, Classification, and Generic Structure of Proposals}, journal = {Journal of Technical Writing and Communication}, volume = {19}, number = {4}, year = {1989}, pages = {317-351}, doi = {10.2190/1E3N-62HR-M3TM-LVW4}, author = {Freed, Richard C. and Roberts, David D.} } @article {1174, title = {Navigating the Current of Economic Policy: Written Genres and the Distribution of Cognitive Work at a Financial Institution}, journal = {Mind, Culture, and Activity}, volume = {4}, year = {1997}, pages = {238{\textendash}255}, type = {undefined}, chapter = {238}, abstract = {

Like navigating a ship (Hutchins, 1993), conducting monetary policy involves complex processes of distributed cognition. The difference is that, in a governmental financial institution like the Bank of Canada, much of the cognitive work and its distribution are accomplished by means of interweaving webs of genres of discourse. The genres of the Bank enable both the forming and reforming of policy as well as the constant reflexive self-monitoring necessary for maintaining the robustness of the institution and for achieving its goals. The genres operate as sites for the communal construction of and negotiation over knowledge; paradoxically, as institutionalized artifacts, they both channel and codify thinking at the same time that they function as sites for change.

}, author = {Freedman, Aviva}, editor = {Smart, Graham} } @article {RN5, title = {Non-Rule Environmental Policy: A Case Study of a Foundry Sand Land Disposal NPD}, journal = {Journal of Technical Writing and Communication}, volume = {37}, number = {1}, year = {2007}, pages = {17-36}, doi = {10.2190/RR86-5612-8L7T-4H70}, author = {Griggs, K.} } @article {1419, title = {Networks, Genres, and Complex Wholes: Citizen Science and How We Act Together through Typified Text}, journal = {Canadian Journal of Communication}, volume = {41}, year = {2016}, pages = {287-304}, abstract = {

This article explores the intersection of Rhetorical Genre Studies (RGS) and Actor-Network Theory (ANT). These two traditions are particularly important in the Canadian research context. We examine genre and ANT to uncover what we believe is a complementary relationship that promises much to the study of science, especially in the age of the internet. Specifically, we see RGS as a way to account for how objects come to {\textquotedblleft}be{\textquotedblright} as complex wholes and so act across/among levels of network configurations. Moreover, the nature of these objects{\textquoteright} (instruments{\textquoteright}) action is such that we may attribute them to a kind of rhetorical agency. We look to the InFORM Network{\textquoteright}s grassroots, citizen science-oriented response to the Fukushima Daiichi nuclear disaster as a case that exemplifies how a combined RGS and ANT perspective can articulate the complex wholes of material/rhetorical networks.

Cet article examine Rhetorical Genre Studies (RGS) et Actor-Network Theory (ANT). Ces deux modes d{\textquoteright}{\'e}tude sont importants dans les contextes de la recherche Canadienne. Nous prennons genre et ANT, pour retrouver une perspective que nous croyons puisse contribuer beaucoup aux {\'e}tudes de la science dans l{\textquoteright}{\^a}ge de l{\textquoteright}internet. On comprend les genres de textes comme une moyenne de rendre compte de la fa{\c c}on dont les objets deviennent des ensembles complexes et donc agir entre les diff{\'e}rents niveaux de configuration r{\'e}seau. En plus, la nature des actions de ces objets (ou instruments scientifique) est telle qu{\textquoteright}on puisse attribuer a eux une sorte d{\textquoteright}agence rh{\'e}torique. Nous voyons le citizen science reponse de l{\textquoteright}InFORM Network a la disastre au Fukushima Daiichi comme une example de la puissance d{\textquoteright}un perspectif RGS/ANT pour articuler les {\textquotedblleft}entieres-complexes{\textquotedblright} des networks qui sont material/rhetorical au meme temps.

}, author = {Kelly, Ashley Rose and Maddalena, Kate} } @article {1281, title = {Negotiating Claims to Journalism: Webloggers{\textquoteright} Orientation to News Genres}, journal = {Convergence}, volume = {10}, year = {2004}, pages = {33-54}, chapter = {33}, abstract = {

Abstract: This paper explores how writers of online diaries, or weblogs,
about public affairs negotiate their relationship with the genres and
social position of news journalism. Although often labelled radical
journalists, this paper finds, through interviews with seven webloggers,
that such writers orient themselves in complex ways towards news
journalism, at times drawing upon its modes of knowledge, at times
setting themselves in opposition to it and at times seeking to cross
discursive spaces. The paper concludes that, rather than emerging as a
new public communicative form or genre in relation to journalism, the
distinctiveness of the form is in its generic heterogeneity and ability to
traverse the boundaries of news and other institutional discourses.

}, author = {Matheson, Donald} } @book {1046, title = {Narrative counselling: Social and linguistic processes of change}, year = {2004}, publisher = {John Benjamins}, organization = {John Benjamins}, address = {London}, author = {Muntigl, P.} } @article {1278, title = {Neoliberal frames and genre of inequality: Recession-era chick flicks and male-centered corporate melodrama}, journal = {European Journal of Cultural Studies}, volume = {16}, year = {2013}, pages = {344-361}, abstract = {

Media forms play a vital role in making cultural and political sense of the complex economic developments and profound ideological uncertainties which have accompanied the global recession. This article analyses how popular genre cinema tackles the inequalities \– in particular, gender inequalities \– that follow from the financial crisis, situating Hollywood\’s representational strategies in the context of recessionary media culture. It posits and analyses two sub-genres which demonstrate different approaches to an altered socio-economic climate: the recessionary \‘chick flick\’ and the corporate melodrama. Amid the financial crisis these sub-genres shift emphasis to respond to changing circumstances, notably in relation to the once-ubiquitous trope of choice central to post-feminist media culture; neoliberal choice rhetoric is now considerably harder to maintain. The two case studies contrast the different ways in which female-centred chick flicks and male-centred corporate melodramas address unemployment, downward mobility and the challenges of work\–life balance.

}, keywords = {film, gender, neoliberalism}, author = {Negra, Diane and Tasker, Yvonne} } @article {893, title = {Narrating the Self}, journal = {Annual Reviews of Anthropology}, volume = {25}, year = {1996}, note = {+ pdf}, month = {1996}, pages = {19{\textendash}43}, keywords = {collaboration, community, emotion, genre, narration, self}, author = {Ochs, Elinor and Capps, Lisa} } @inbook {1427, title = {Narrative inquiry and the researching of academic and professional genres. }, booktitle = {Narratives in Academic and Professional Genres }, year = {2013}, pages = {pp. 497-501}, publisher = {Peter Lang}, organization = {Peter Lang}, address = {Bern}, author = {Paltridge, Brian} } @book {1197, title = {The new rhetoric: A treatise on argumentation}, year = {1969}, publisher = {University of Notre Dame Press}, organization = {University of Notre Dame Press}, address = {South Bend}, author = {Perelman, C. H. and Olbrechts-Tyteca, L.} } @article {RN216, title = {Networked Exchanges, Identity, Writing}, journal = {Journal of Business and Technical Communication}, volume = {23}, number = {3}, year = {2009}, pages = {294-317}, author = {Rice, Jeff} } @article {1295, title = {The "Nueva Canci{\'o}n" Movement and Its Mass-Mediated Performance Context}, journal = {Latin American Music Review / Revista de M{\'u}sica Latinoamericana}, volume = {13}, year = {1992}, pages = {139-157}, chapter = {139}, abstract = {

There is a movement coming out of Latin America identified rather broadly as nueva cancion, or \"new song,\" which combines the musics of different Latin American folk cultural traditions with new renditions of old favorites from urban and mass media venues. Through the mass media these songs of Chile, Brazil, Cuba, and the Hispanic U.S. community-to name the most prominent sources of nueva cancion-reach beyond the borders of the Latin American countries of South and Central America and cultivate audiences throughout the world, among Latino and non-Latino cultural groups alike (see Vigliette 1986). Despite the mass media performance context of nueva cancion, this music embodies more than commercial value for these musicians and critical Latin American scholars. For many of its practitioners nueva cancion symbolizes a search for political, economic, and cultural identity in order to counteract widespread cultural stereotyping, economic domination by transnational corporations, and political manipulation by North American policy.

}, doi = {10.2307/948080}, url = {http://www.jstor.org/stable/948080 .}, author = {Tumas-Serna, Jane} }