01061nas a2200133   4500008004100000245002800041210002600069260001300095300001000108490000700118520072200125100001600847856006400863       1977                        eng d00aIdeology, Genre, Auteur0 aIdeology Genre Auteur  cJan/1977  a46-510 v133 a<p>Montage theory enthrones editing as the essential creative act at the expense of other aspects of film; Bazin&#39;s Realist theory, seeking to right the balance, merely substitutes its own imbalance, downgrading montage and artifice; the revolutionary theory centered in Britain on Screen (but today very widespread) rejects-or at any rate seeks to &quot;deconstruct&quot;-Realist art in favor of the so-called &quot;open text.&quot;&nbsp;Auteur&nbsp;theory, in its heyday, concentrated attention exclusively on the fingerprints, thematic or stylistic, of the individual artist; recent attempts to discuss the complete &quot;filmic text&quot; have tended to throw out ideas of personal authorship altogether.</p>
1 aWood, Robin  uhttps://genreacrossborders.org/biblio/ideology-genre-auteur