@article {RN75, title = {Theoretical Foundations for Website Design Courses}, journal = {Technical Communication Quarterly}, volume = {11}, number = {1}, year = {2002}, pages = {61-83}, doi = {10.1207/s15427625tcq1101_3}, url = {http://www.tandfonline.com/doi/abs/10.1207/s15427625tcq1101_3}, author = {Walker, Kristin} } @article {RN131, title = {Using genre theory to teach students engineering lab report writing: a collaborative approach}, journal = {IEEE Transactions on Professional Communication}, volume = {42}, number = {1}, year = {1999}, pages = {12/19/2015}, doi = {10.1109/47.749363}, url = {http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=749363}, author = {Walker, K} } @book {998, title = {The Jury Summation as Speech Genre: An Ethnographic Study of What It Means to Those Who Use It}, year = {1988}, month = {1988}, publisher = {John Benjamins}, organization = {John Benjamins}, address = {Amsterdam}, keywords = {ethnography, genre, jury summation}, author = {Walter, Bettyruth} } @article {RN55, title = {Linking Contextual Factors with Rhetorical Pattern Shift: Direct and Indirect Strategies Recommended in English Business Communication Textbooks in China}, journal = {Journal of Technical Writing and Communication}, volume = {41}, number = {1}, year = {2011}, pages = {83-107}, doi = {10.2190/TW.41.1.e}, author = {Wang, Junhua and Zhu, Pinfan} } @article {RN198, title = {Convergence in the Rhetorical Pattern of Directness and Indirectness in Chinese and U.S. Business Letters}, journal = {Journal of Business and Technical Communication}, volume = {24}, number = {1}, year = {2010}, pages = {91-120}, author = {Wang, Junhua} } @article {RN41, title = {Toward a Critical Perspective of Culture: Contrast or Compare Rhetorics}, journal = {Journal of Technical Writing and Communication}, volume = {38}, number = {2}, year = {2008}, pages = {133-148}, doi = {10.2190/TW.38.2.c}, author = {Wang, Junhua} } @article {RN205, title = {The Ethic of Exigence: Information Design, Postmodern Ethics, and the Holocaust}, journal = {Journal of Business and Technical Communication}, volume = {24}, number = {1}, year = {2010}, pages = {60-90}, author = {Mark Ward, Sr.} } @article {999, title = {{\textquoteright}Mutt Genres{\textquoteright} and the Goal of FYC: Can We Help Students Write the Genres of the University?}, journal = {College Composition and Communication}, volume = {60}, year = {2009}, note = {+ j+ pdf }, month = {2009}, pages = {756{\textendash}789}, keywords = {genre, genre knowledge, instruction, transfer}, author = {Wardle, Elizabeth} } @article {1000, title = {They Spoke in Defense of Themselves: On the Generic Criticism of Apologia}, journal = {Quarterly Journal of Speech}, volume = {59}, year = {1973}, month = {1973}, pages = {273{\textendash}283}, keywords = {apologia, apology, genre}, author = {Ware, B. L. and Linkugel, Wil A.} } @book {1767, title = {A Genre Analysis of Social Change: Uptake of the Housing-First Solution to Homelessness in Canada}, series = {Inkshed: Writing Studies in Canada}, year = {2020}, pages = {102}, publisher = {Parlor Press}, organization = {Parlor Press}, address = {Anderson, South Carolina}, abstract = {

A Genre Analysis of Social Change contributes to current scholarship in rhetorical genre studies and discourse analysis in contexts of social change. Diana Wegner explores the ways that historical genre systems can be transformed through the process of discursive uptake across genres and their spheres of activity. In this study such cross-genre uptake is pursued from its beginning in advocacy genres to its incorporation into higher-level, institutional genres. It represents the summation of Wegner{\textquoteright}s work over many years on how systems of genre can adapt to change as groups and institutional systems negotiate the uptake of solutions to major social challenges, in this case study the Canadian {\textquotedblleft}Housing First{\textquotedblright} solution to ending homelessness. Her study shows how rhetorical genre analysis can offer insight into issues related to social justice for marginal groups within society.\ 

Introducing the concepts of {\textquotedblleft}deep{\textquotedblright} and {\textquotedblleft}shallow{\textquotedblright} genre memory, Wegner analyzes why uptake is problematic and disturbing for those participants in the homelessness genre system who find that the receiving genre does not {\textquotedblleft}remember{\textquotedblright} the historical moorings of its antecedent contexts. Genre provides an explanatory framework for these uptake dynamics, and for both the re-inscription of power relations and the incremental progress of the shared struggle to help homeless people.

}, keywords = {genre change, genre memory}, isbn = {978-1-64317-179-1}, url = {https://parlorpress.com/products/genre-analysis-of-social-change}, author = {Wegner, Diana} } @article {RN207, title = {The Collaborative Construction of a Management Report in a Municipal Community of Practice: Text and Context, Genre and Learning}, journal = {Journal of Business and Technical Communication}, volume = {18}, number = {4}, year = {2004}, pages = {411-451}, author = {Wegner, Diana} } @book {1001, title = {Theory of Literature}, year = {1977}, note = {QJS +}, month = {1977}, publisher = {Harcourt Brace Jovanovich}, organization = {Harcourt Brace Jovanovich}, address = {New York}, keywords = {genre}, author = {Wellek, Ren{\'e} and Warren, Austin} } @article {1304, title = {Genres as Species and Spaces: Literary and Rhetorical Genre in The Anatomy of Melancholy}, journal = {Philosophy \& Rhetoric}, volume = {47}, year = {2014}, pages = {23}, chapter = {113}, abstract = {

Contemporary genre theory is dominated by metaphors of evolution and speciation; this article proposes alternate metaphors of spatiality and exchange. A spatial understanding of genre permits more productive interactions between literary and rhetorical genre theory. A reading of Robert Burton{\textquoteright}s The Anatomy of Melancholy as a multigenred text suggests some of the potentials of this approach.

}, keywords = {epideictic, evolution, genre, literary genre, rhetorical genre, Satire, treatise}, doi = {10.1353/par.2014.0010}, author = {Wells, Susan} } @article {1002, title = {Freud{\textquoteright}s Rat Man and the Case Study: Genre in Three Keys}, journal = {New Literary History}, volume = {34}, year = {2003}, note = {+ pdf}, month = {2003}, pages = {353{\textendash}366}, abstract = {{\textquotedblleft}Freud{\textquoteright}s Rat Man and the Case Study: Genre in Three Keys{\textquotedblright} analyses the Rat Man case in terms of literary, sociolinguistic, and rhetoric genre theories, focusing on his use temporality and quotation to create the institutional setting in which the case is read. Freud{\textquoteright}s case is then contrasted with a contemporary psychiatric case study, in which clinical and institutional discourses are juxtaposed. The essay argues for a productive dialogue among literary, sociological, and rhetorical approaches to genre.}, keywords = {case study, genre, literary, rhetorical}, author = {Wells, Susan} } @unpublished {1003, title = {Genres and Their Borders: The Case of Power Structure Research}, year = {2008}, note = {+ doc}, month = {2008}, publisher = {Paper presented at the conference of the Rhetoric Society of America}, address = {Seattle, WA}, keywords = {genre, literary genre studies, power, thermodynamics}, author = {Wells, Susan} } @article {RN14, title = {Models and the Teaching of Technical Writing}, journal = {Journal of Technical Writing and Communication}, volume = {19}, number = {1}, year = {1989}, pages = {69-81}, doi = {10.2190/CQEU-T08E-ER2U-8UD5}, author = {Werne, Warren W.} } @article {1216, title = {Television Genres: Intertextuality}, journal = {Journal of Film and Video}, volume = {37}, year = {1985}, month = {06/1985}, pages = {41-47}, chapter = {41}, author = {Mimi White} } @article {1004, title = {Anomalies of Genre: The Utility of Theory and History for the Study of Literary Genres}, journal = {New Literary History}, volume = {34}, year = {2003}, note = {+ pdf}, month = {2003}, pages = {597{\textendash}615}, keywords = {Cohen, genre, history, hybrid, Prince, theory}, author = {White, Hayden} } @article {RN84, title = {Claim-Evidence Structures in Environmental Science Writing: Modifying Toulmin{\textquoteright}s Model to Account for Multimodal Arguments}, journal = {Technical Communication Quarterly}, volume = {21}, number = {2}, year = {2012}, pages = {105-128}, doi = {10.1080/10572252.2012.641431}, url = {http://www.tandfonline.com/doi/abs/10.1080/10572252.2012.641431}, author = {Whithaus, Carl} } @article {RN124, title = {Observing Inscriptions at Work: Visualization and Text Production in Experimental Physics Research}, journal = {Technical Communication Quarterly}, volume = {22}, number = {2}, year = {2013}, pages = {150-171}, doi = {10.1080/10572252.2013.755911}, url = {http://www.tandfonline.com/doi/abs/10.1080/10572252.2013.755911}, author = {Wickman, Chad} } @article {RN209, title = {Locating the Semiotic Power of Writing in Science}, journal = {Journal of Business and Technical Communication}, volume = {29}, number = {1}, year = {2015}, pages = {61-92}, author = {Wickman, Chad} } @article {1218, title = {Unlocking The Vampire Diaries}, journal = {Gothic Studies}, volume = {15}, year = {2013}, month = {05/2013}, pages = {88-99}, chapter = {88}, author = {Rebecca Williams} } @article {RN45, title = {Tracing W. E. B. DuBois{\textquoteright} {\textquoteright}Color Line{\textquoteright} in Government Regulations}, journal = {Journal of Technical Writing and Communication}, volume = {36}, number = {2}, year = {2006}, pages = {141-165}, doi = {10.2190/67RN-UAWG-4NFF-5HL5}, author = {Williams, Miriam F.} } @inbook {1162, title = {A Story of One{\textquoteright}s Own: Social Constructions of Genre Online}, booktitle = {Shimmering Literacies: Popular Culture and Reading and Writing Online}, year = {2009}, pages = {121-154}, publisher = {Peter Lang Publishing}, organization = {Peter Lang Publishing}, chapter = {5}, address = {New York}, author = {Williams, Bronwyn} } @article {1005, title = {The Diatribe: Last Resort for Protest}, journal = {Quarterly Journal of Speech}, volume = {58}, year = {1972}, note = {QJS}, month = {1972}, pages = {1{\textendash}14}, keywords = {genre}, author = {Windt, Theodore Otto, Jr.} } @article {RN272, title = {Genre and Activity Systems: The Role of Documentation in Maintaining and Changing Engineering Activity Systems}, journal = {Written Communication}, volume = {16}, number = {2}, year = {1999}, pages = {200{\textendash}224}, author = {Winsor, Dorothy A.} } @article {RN226, title = {Learning to Do Knowledge Work in Systems of Distributed Cognition}, journal = {Journal of Business and Technical Communication}, volume = {15}, number = {1}, year = {2001}, pages = {5/28/2015}, author = {Winsor, Dorothy A.} } @article {1007, title = {Genre and Activity Systems: The Role of Documentation in Maintaining and Changing Engineering Activity Systems}, journal = {Written Communication}, volume = {16}, year = {1999}, note = {+ j}, month = {1999}, pages = {200{\textendash}224}, keywords = {actant, activity theory, agency, ANT, AT, change, context, genre, Latour, text, workplace document}, author = {Winsor, Dorothy A.} } @article {1008, title = {Ordering Work: Blue-Collar Literacy and the Political Nature of Genre}, journal = {Written Communication}, volume = {17}, year = {2000}, note = {+ j+ pdf rhet }, month = {2000}, pages = {155{\textendash}184}, keywords = {engineer, genre, improvisation, power, status, technician, text, visibility, work order}, author = {Winsor, Dorothy A.} } @book {1009, title = {Writing Power: Communication in an Engineering Center}, year = {2003}, note = {+}, month = {2003}, publisher = {State University of New York Press}, organization = {State University of New York Press}, address = {Albany, NY}, keywords = {capital, engineering, genre, knowledge, power, rhetoric, text}, isbn = {0-7914-5758-3}, author = {Winsor, Dorothy A.} } @article {RN155, title = {Improving User Experience for Passenger Information Systems. Prototypes and Reference Objects}, journal = {IEEE Transactions on Professional Communication}, volume = {56}, number = {2}, year = {2013}, pages = {120-137}, doi = {10.1109/TPC.2013.2257211}, url = {http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=6524067}, author = {Wirtz, S. and Jakobs, E.-M} } @article {RN261, title = {Blurring Boundaries between Technical Communication and Engineering: Challenges of a Multidisciplinary, Client-Based Pedagogy}, journal = {Technical Communication Quarterly}, volume = {10}, number = {2}, year = {2001}, pages = {129-148}, issn = {1057-2252}, doi = {10.1207/s15427625tcq1002_2}, url = {http://dx.doi.org/10.1207/s15427625tcq1002_2}, author = {Wojahn, Patricia and Dyke, Julie and Riley, Linda Ann and Hensel, Edward and Brown, Stuart C.} } @inbook {1010, title = {Genre and the Video Game}, booktitle = {The Medium of the Video Game}, year = {2001}, note = {Kevin Flanagan{\textquoteright}s paper S08}, month = {2001}, pages = {113{\textendash}134}, publisher = {University of Texas Press}, organization = {University of Texas Press}, address = {Austin, TX}, keywords = {film, genre, video game}, author = {Wolf, Mark J. P.}, editor = {Wolf, Mark J. P.} } @article {1344, title = {Knowing what we know about writing in the disciplines: An approach to teaching transfer in first-year composition}, journal = {The WAC Journal}, volume = {25}, year = {2014}, author = {Wolfe, Joanna}, editor = {Olson, Barrie} } @article {RN137, title = {Meeting Minutes as a Rhetorical Genre: Discrepancies Between Professional Writing Textbooks and Workplace Practice Tutorial}, journal = {IEEE Transactions on Professional Communication}, volume = {49}, number = {4}, year = {2006}, pages = {254-364}, doi = {10.1109/TPC.2006.885837}, url = {http://ieeexplore.ieee.org/ielx5/47/4016259/04016274.pdf?tp=\&arnumber=4016274\&isnumber=4016259}, author = {Wolfe, Joanna} } @article {RN87, title = {How Technical Communication Textbooks Fail Engineering Students}, journal = {Technical Communication Quarterly}, volume = {18}, number = {4}, year = {2009}, pages = {351-375}, doi = {10.1080/10572250903149662}, url = {http://www.tandfonline.com/doi/abs/10.1080/10572250903149662}, author = {Wolfe, Joanna} } @article {RN179, title = {Teaching the IMRaD Genre: Sentence Combining and Pattern Practice Revisited}, journal = {Journal of Business and Technical Communication}, volume = {25}, number = {2}, year = {2011}, pages = {119-158}, author = {Wolfe, Joanna and Britt, Cynthia and Alexander, Kara Poe} } @article {RN126, title = {Systems of Classification and the Cognitive Properties of Grant Proposal Formal Documents}, journal = {Technical Communication Quarterly}, volume = {18}, number = {4}, year = {2009}, pages = {303-326}, doi = {10.1080/10572250903149688}, url = {http://www.tandfonline.com/doi/abs/10.1080/10572250903149688}, author = {Wolff, William I.} } @article {1170, title = {Ideology, Genre, Auteur}, journal = {Film Comment}, volume = {13}, year = {1977}, month = {Jan/1977}, pages = {46-51}, chapter = {46}, abstract = {

Montage theory enthrones editing as the essential creative act at the expense of other aspects of film; Bazin\&$\#$39;s Realist theory, seeking to right the balance, merely substitutes its own imbalance, downgrading montage and artifice; the revolutionary theory centered in Britain on Screen (but today very widespread) rejects-or at any rate seeks to \"deconstruct\"-Realist art in favor of the so-called \"open text.\"\ Auteur\ theory, in its heyday, concentrated attention exclusively on the fingerprints, thematic or stylistic, of the individual artist; recent attempts to discuss the complete \"filmic text\" have tended to throw out ideas of personal authorship altogether.

}, author = {Wood, Robin} } @article {1127, title = {"Escaping Genre{\textquoteright}s Village: Fluidity and Genre Mixing in Television{\textquoteright}s the Prisoner."}, journal = {Journal of Popular Culture}, volume = {38}, year = {2005}, pages = {956}, chapter = {939}, author = {Brian J. Woodman} }